Reviews

I distinctly remember when the Zeiss Otus 55mm f/1.4 lens first entered the market. It was a lens designed to project a larger circle of light onto the sensor and therefore it was huge. As bulky as it was, this oversized design enhanced the overall sharpness of the lens, especially toward the corners, and quickly cemented itself a legendary status. However, the Zeiss Otus lenses were designed for DSLR cameras and it has been six years since the 100mm Otus was released. A lot can happen in six years and the other manufacturers have had plenty of time to catch up in terms of optical performance.

Alberta, Canada, has been pounded by polar vortex after polar vortex, pushing daytime temperatures down to -25 Celsius before any wind chill factors in. As Alberta-born Canadians, Jordan and I can brave the frigid temperatures for the sake of the show, but with our lavalier microphones refusing to hold a charge and our camera EVFs running at eight frames per second, we pressed on to review a fascinating little lens on what we knew would be a taxing day.

The Sony FE 400-800mm f/6.3-8 G OSS addresses many of the shortcomings of the popular Sony 200-600mm f/5.6-6.3 G OSS, delivering an excellent telephoto zoom lens for wildlife photographers.

I wasn't looking forward to a trip halfway around the world even though I've always wanted to see northern Norway. My main concern was the two full days of flight time to partake in the two-day-long launch event, but the rumors pointed to a long-awaited S1R replacement so it was worth the toil. The weather turned out to be very wet and very cold, but the camera may have made it all worthwhile.

In 2024, the Sigma 500mm f/5.6 DG DN OS Sports was highly regarded in the PetaPixel’s ranking of Sigma's 2024 optics. As one of Sigma’s high-end Sports lenses, it offers many pros and few cons. One of the most common requests we've seen has asked us to test its performance on one of the most challenging subjects: birds in flight.

PetaPixel's Chris Niccolls and Jordan Drake aren't the norm: one of them presents while the other one operates the camera. Modern content creators typically work alone, and that includes me. That means the same number of tasks that are enough of a burden for two full-time jobs is somehow supposed to be crammed into one person.

If you had told me only a few years ago that Nikon would release a video-focused power zoom lens, I’d have called you all kinds of names. But since the release of the Z9, it has become abundantly clear that Nikon intends to capture the hearts of videographers and cinematographers, a strategy which has become even more clear since it acquired RED about a year ago. Now we have the first Z-Mount video-first product from Nikon, the Nikkor Z 28-135mm f/4 PZ.

I have gone on the record with two stances for a while now: manufacturers need to cash in on their classic heritage and someone needs to make a compact Micro Four Thirds body. OM System just announced the new $2,000 OM-3 camera and while it certainly covers the first request, it kind of misses on the second one.

Nikon has created a compelling lineup of prime lenses that feature fast apertures and premium optics. The 135mm f/1.8 Plena anchors the telephoto end and the 85mm and 50mm f/1.2 lenses bring incredibly bright apertures to the normal ranges. It makes sense that the logical foray into the wide-angle is going to start with the new Nikkor 35mm f/1.2 S.

The photographic world tends to flow into a state of normality, order, and conformity. Certain lenses just work for most situations, and the popular choices of the professionals quickly become the traditional tools of the masses. It seems everyone starts with a general-purpose lens that covers a rough full-frame range of 28mm to 70mm or so, and then eventually, you end up with something wider and something longer.

The PetaPixel team flew back to San Jose, California for 2025's Samsung Unpacked event ready to review the new Galaxy S25 Ultra smartphone as a tool for creators. Although all the new S25 phones feature a brand new Snapdragon 8 Elite 3nm processor and similar AI-based tools, it is the $1,299 Ultra which has the latest camera hardware that we want to focus on.

The PetaPixel team is in San Jose, California for the Samsung Unpacked event and is working hard on our review of the latest Galaxy S25 Ultra for photographers. However, we did get an early briefing and first look at the latest high-end phone from Samsung and we have some thoughts about the most exciting features.

Why buy a product from Leica with many of the same internal components and capabilities as the far more affordable entries from the other makers? Leica seeks to answer that question with its latest SL3-S, a 24-megapixel design aimed squarely at cameras like the Panasonic Lumix S5IIX.

More than ten years ago, I decided to dip my toe into the world of aerial video when Chris Niccolls and I reviewed the DJI Phantom 2 for The Camera Store TV. Two crashed drones in less than a week later, I decided to leave aerial footage to the professionals. But now DJI has introduced the $439 Flip, with incredibly low weight, just enough video quality mojo, and some cool automated tricks. It might be the perfect compliment to my YouTube camera kit, but I wanted to see how it performed in the field before committing to having it in my bag.

The majority of professional photographers pray at the Church of the Holy Trinity. That is to say that they make their daily bread with an ultra-wide f/2.8 zoom, a general-purpose 24-70mm f/2.8, and a 70-200mm f/2.8 telephoto. This is a tradition that has held true for decades from the time of the autofocusing film SLR to the modern mirrorless cameras of today. Good things come in threes so today we look at the best three lenses from the three biggest companies.

It's well-known that I am not a fan of the 35mm focal length. It's also well-known that I am in the extreme minority on this. Everyone loves a good 35mm lens which is a prime candidate for a faster f/1.4 aperture. Samyang has answered the call with its latest "Prima" series of lenses which promise to be optical standouts with sophisticated autofocusing.

The OnePlus 13 got its reveal, but perhaps even more revealing is how much the company is trying to make its flagship more accessible. To do it, it’s embracing MagSafe (albeit only with its phone cases) and including a software feature in OxygenOS to enable sharing with iPhone users. Even faster wired and wireless charging, plus a demonstration of heavy water resistance involving a dishwasher. All that is on top of a focus on improving action photography.

Viltrox has been making waves in the lens space for a while now, but its LAB series, a new push into professional-grade optics, takes the company's ambitions up a notch (or two). The Viltrox LAB 135mm f/1.8 aims to deliver professional performance at a much lower price. Does it deliver the goods?

Here, we thought that the smartphone would kill the point-and-shoot digital camera. There is, instead, a steady resurgence with more and more (mostly young) people purchasing used point-and-shoot cameras. The Panasonic ZS99 aims to capitalize on the trend, offering a modernized take on an older P&S model.

My editor-in-chief, Jaron Schneider, tasked me with a Christmas challenge to review a camera unlike anything I had reviewed before. On my doorstep shows up a Bluey-themed kids' camera with the worrisome "eKids" branding on the bottom. I had a family vacation coming up in Alberta's capital city of Edmonton, so it was the right opportunity to put the camera through a rugged baptism of fire. We planned on shooting at the Royal Alberta Museum, which would give us bright and dark conditions in which to test the camera. Even with low expectations, I came away disappointed.